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BRUTAL.

TRANSPARENCY.

EMPTINESS.

CONTRAST.

I still remembered the first time I stood below Pei's Bank of China in Hong Kong. The sharpness, the power it displayed.

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I think that is one of the reasons why I explore mitre cut. By making this piece of furniture, I have found my own quest: To find inbetweenness, to make lightness with masculinity.

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Material

190x45 Vic Ash, 1200x600x10mm Toughened glass with mitre edge.
Fixing: 100x100, 100x50 & 300x250 angle brackets, 45mm Coach screw hex head, M6 nut/bolt, non-slip rubbers
Finishes: Cabots water-base clear polyurethane (3 coats)

COMPLETED

2013

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